It’s For Your Own Good

Author: Avalon Sperring

Following the release earlier this year of their debut CD EP, Melbourne trio The Living End have moved away from relatively straightforward rockabilly punch with this tasty little six track EP. Although doffing collective caps to influences such as The Clash, Stray Cats and even a quick check to Duanne Eddy (check the glorious guitar solo on Problem). The Living End are beginning to define themselves by their own sound.

A feisty mix of tunes means it’s difficult to pin these guys down, which is never a bad thing. They are becoming conversant with melody within grunt, and plaintive qualities seeping through punchy rhythms, particularly on One More Cell, which is a pop/punk tune dependent on its neatly pumped out chord progression and cheesy chorus for effect. From Here On In and Stay Away From Me reflect the rockabilly aspect of The Living End, with the latter jumping straight into a thrash out with gorgeous accents and atypical bassline.

Bass player Scott Owen and singer/guitarist Chris Cheney belt out vocals with more enthusiasm than finesse, but this works within the context of the songs. English Army is a little too obvious in its debt to The Clash, however The Living End have stamped their mark on the groove if not the melody.

Closing with an inventive cover of The Cure’s 10:15 Saturday Night, It’s For Your Own Good is an immediately infectious slice of this band’s energetic approach to a musical meld that can only be described as a rockabilly/ska cross, however they aren’t afraid to throw in a touch of the pop hook, but nevertheless harness power from the urgency of rockabilly more than anything else. Good stuff for a bit of a dance, if you’re that way inclined.