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It’s For Your Own Good

Author: Sandro Olivo

It's For Your Own Good

This has been a frantic year for this three piece punk outfit from Melbourne. It released it’s first EP, Hellbound, at the start of the year and then earned the support slot for green haired trendsetters Green Day. So it is no surprise that this CD’s first track, From Here On In, has a distinct similarity to the American band. But that is where all similarities end.
On this second EP, English Army, One More Cell, Stay Away From Me, Problem and 10:15 Saturday Night set themselves apart with the sound embracing all that is punk. Ska and rockabilly are interspersed through the songs which set the head rocking and the feet stomping. The guitars have a harsh resonating sound and Chris Cheney’s vocals are brilliant.

Perhaps Green Day’s Billy Joe Armstrong could listen and learn. This album is true punkerama.

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It’s For Your Own Good

Author: Timothy James

It's For Your Own Good

The Living End have come a long way on their second EP. Where their first release Hellbound lost song quality in sub-standard production, It’s For Your Own Good, produced by Lindsay Gravina, packs brutally honest representation of their live sound – and this sound is most impressive. 
From Here On In and English Army lead the EP admirably. The songs are more well crafted pop than rockabilly, and both tunes come with a chorus you won’t forget in a hurry. Look out for other highlights; see Stay Away From Me complete with its breakneck drumming and minor bass solo, and Problem, that has a booming chorus showcasing Chris Cheney’s distinctive vocal style. 

This EP also comes with a fairly honest take on The Cure’s 10:15 Saturday Night, although this reviewer would have preferred to have seen live favourite Tainted Love make an appearance. To label The Living End as a rockabilly band is lazy and/or uninformed. They have the potential to reach an incredibly wide audience, and on listening to It’s For Your Own Good one gets the feeling that one day Cheney and co. will be scaling even greater heights.

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Supersuckers, Fireballs, The Living End

Author: Darrell Bassett

Knew bugger all about the Living End until they came on but now I know they are one fine outfit. Kinda boogie, kinda punk, kinda something. Their cover of 10:15 Saturday Night gave a bit more of a perspective of these blokes, but not much – they’re right out of left field.

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Living In The Fast Lane

Author: Jason Cole

Three piece Melbourne rockers the Living End experienced a dream run of late, coming off a highly successful with those snotty nosed brats of rock, Green Day. On the horizon, the Living End is a confirmed support nationally for the Reverend Horton Heat touring later this year, plus a show with the Supersuckers. the band has also just released an eight track rockabilly punk treat with Hellbound. I had a chat with lead vocalist/guitarist Chris Cheney and drummer Joey Piripitzi about their experiences on the tour with Green Day, amongst other bits and pieces.

The Living End’s career has not been an overnight success. People seem to think that the band has just received a lucky break with the Green Day tour, but Chris told me this is hardly the case. 
“We have been playing together for about four and a half years and have definately paid our dues. We have done heaps of residencies at crappy bars playing shitty cover versions so it hasn’t be all luck.” Hardly the jump from relative obscurity to major venues as people thought. To describe the sound of the Living End isn’t an easy task, “We’re something of a mixed bag when it comes to our sound,” says Chris. The phrase that has been passed around the traps of late is ‘punkabilly’ a term the band isn’t too sure about, but which I think is pretty close to the mark. There is the sound fusion between fifties rockabilly and a definite punk influence.

Asking the guys about their influences I was provided with a vast array of styles. 
“We dig the fifties rockabilly style of Eddie Cochran, Stray Cats and of course the ‘Rev’ Horton Heat but get into earlier punk stuff like the Clash, Dead Kennedys and the likes of Green Day.” 
Now that’s an interesting mix. It’s no secret that the boys are huge fans off Green Day. They had already bought their tickets, they had sent a tape of their work to Green Day’s management hoping to score a support slot. As it worked out the Green Day lads liked Living End so much they got them on board! (I hope they got a refund on the tickets!) The tour took the bands across the whole of Australia playing to 9000 capacity at the Horden Pavillion – bit of change from the Tote, eh? 
“Yeah, it was a complete buzz, a real adrenalin rush to play those venues and see masses of people looking at you, it was freaky.”

How was the response from the crowd? 
“Unbelievable, they really got into us and were jumping all around and going off! We were a bit freaked out that the crowd would all be die-hard Green Day fans and wouldn’t give a shit about us but it was cool.”

And what were the Green Day fellas like? 
“Really cool guys who were just so down to earth, and easy going, we just hung out in bars after the shows and played pool and took part in some room smashing on the last date of the tour with the drummer Tre Cool.”

Now the boys of the Living End are back in Melbourne. They will be playing a few shows locally and are looking forward to the national tour with their idol, the Reverend Horton Heat which should be huge. The guys are chuffed to win these great support slots, partly due to the fact that they are now in the care of the Cheersquad touring group run by Wally Meanie who takes care of the likes of the Meanies, Snout, etc. The Living End also has a mini-CD out called Hellbound. Produced off the band’s own bat and on the strength of the Green Day tour, the CD also got them a distribution deal with Shock. Currently the CD is doing well and already they are being courted by major record companies. At present the band is just enjoying the ride and certainly looks destined for even bigger and better things in the future.

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Hellbound Review

Author: Unknown

Hellbound

Punkish rockabilly trio The Living End draw from the look and sound of fifties rockers the likes of Gene Vincent and Eddie Cochran, and more recent revivalists the Stray Cats. They add to this a hefty shot of punk and end with energetic, fiery, aggressive, pounding sound with loads of charm.

The eight track mini-album, Hellbound is a beauty, packed with gems like the frenzied opener Trace Of Doubt, the surf guitar of the title track, the snotty punk rock of The Living End and the rockabilly shuffle of Strange. Tabletop Show is a gritty plodder with great harmonies, Headlines and Misspent Youth are powerful slices of punk, and the closing tune So Lonely is a fun, boppy rock n’ roller.


The Living End are the sort of band that keeps rock n’ roll fresh, regardless of their derivative nature. It’s the energy and enthusiasm that gets you in, as well as the beat of the drums and the slappin’ double bass, the great guitar work and the strong songs. Brilliant!