The Living End – Roll On
Author: Michael Owen-Brown
The Living End
Roll On (EMI)
When did The Living End transform into the heir apparent to AC-DC? The opening riff of Silent Victory sounds more like Acca Dacca than most songs written since Back In Black. It’s just one of a handful of driving hard-rock anthems on this latest album which are totally unexpected. More unexpected is that The Living End pulls off this potentially disastrous experiment with confidence and panache. Roll On is one of the most brash and catchy albums this year. The band’s superb musical abilities – particularly Chris Cheney’s blistering guitar licks – allow it to traverse various styles and tempos. Development in the band’s songwriting since it’s 1998 debut album is immediately noticeable. Perhaps some songs are too cluttered, but the album works brilliantly as a whole.
It’s For Your Own Good
Author: Avalon Sperring
Following the release earlier this year of their debut CD EP, Melbourne trio The Living End have moved away from relatively straightforward rockabilly punch with this tasty little six track EP. Although doffing collective caps to influences such as The Clash, Stray Cats and even a quick check to Duanne Eddy (check the glorious guitar solo on Problem). The Living End are beginning to define themselves by their own sound.
A feisty mix of tunes means it’s difficult to pin these guys down, which is never a bad thing. They are becoming conversant with melody within grunt, and plaintive qualities seeping through punchy rhythms, particularly on One More Cell, which is a pop/punk tune dependent on its neatly pumped out chord progression and cheesy chorus for effect. From Here On In and Stay Away From Me reflect the rockabilly aspect of The Living End, with the latter jumping straight into a thrash out with gorgeous accents and atypical bassline.
Bass player Scott Owen and singer/guitarist Chris Cheney belt out vocals with more enthusiasm than finesse, but this works within the context of the songs. English Army is a little too obvious in its debt to The Clash, however The Living End have stamped their mark on the groove if not the melody.
Closing with an inventive cover of The Cure’s 10:15 Saturday Night, It’s For Your Own Good is an immediately infectious slice of this band’s energetic approach to a musical meld that can only be described as a rockabilly/ska cross, however they aren’t afraid to throw in a touch of the pop hook, but nevertheless harness power from the urgency of rockabilly more than anything else. Good stuff for a bit of a dance, if you’re that way inclined.
It’s For Your Own Good
Author: Sandro Olivo
This has been a frantic year for this three piece punk outfit from Melbourne. It released it’s first EP, Hellbound, at the start of the year and then earned the support slot for green haired trendsetters Green Day. So it is no surprise that this CD’s first track, From Here On In, has a distinct similarity to the American band. But that is where all similarities end.
On this second EP, English Army, One More Cell, Stay Away From Me, Problem and 10:15 Saturday Night set themselves apart with the sound embracing all that is punk. Ska and rockabilly are interspersed through the songs which set the head rocking and the feet stomping. The guitars have a harsh resonating sound and Chris Cheney’s vocals are brilliant.
Perhaps Green Day’s Billy Joe Armstrong could listen and learn. This album is true punkerama.
It’s For Your Own Good
Author: Timothy James
The Living End have come a long way on their second EP. Where their first release Hellbound lost song quality in sub-standard production, It’s For Your Own Good, produced by Lindsay Gravina, packs brutally honest representation of their live sound – and this sound is most impressive.
From Here On In and English Army lead the EP admirably. The songs are more well crafted pop than rockabilly, and both tunes come with a chorus you won’t forget in a hurry. Look out for other highlights; see Stay Away From Me complete with its breakneck drumming and minor bass solo, and Problem, that has a booming chorus showcasing Chris Cheney’s distinctive vocal style.
This EP also comes with a fairly honest take on The Cure’s 10:15 Saturday Night, although this reviewer would have preferred to have seen live favourite Tainted Love make an appearance. To label The Living End as a rockabilly band is lazy and/or uninformed. They have the potential to reach an incredibly wide audience, and on listening to It’s For Your Own Good one gets the feeling that one day Cheney and co. will be scaling even greater heights.
Punkish rockabilly trio The Living End draw from the look and sound of fifties rockers the likes of Gene Vincent and Eddie Cochran, and more recent revivalists the Stray Cats. They add to this a hefty shot of punk and end with energetic, fiery, aggressive, pounding sound with loads of charm.
The eight track mini-album, Hellbound is a beauty, packed with gems like the frenzied opener Trace Of Doubt, the surf guitar of the title track, the snotty punk rock of The Living End and the rockabilly shuffle of Strange. Tabletop Show is a gritty plodder with great harmonies, Headlines and Misspent Youth are powerful slices of punk, and the closing tune So Lonely is a fun, boppy rock n’ roller.
The Living End are the sort of band that keeps rock n’ roll fresh, regardless of their derivative nature. It’s the energy and enthusiasm that gets you in, as well as the beat of the drums and the slappin’ double bass, the great guitar work and the strong songs. Brilliant!