Andy Strachan

Author: Tim Mayne

Andy Sang, Andy Watched
Better known as the drummer for The Living End, Andy Strachan has just released his self-titled EP, something the talented musician says was a labour of love, with a little help from his friends.

While The Living End are putting the finishing touches on the group’s seventh studio album, drummer Andy Strachan says he decided to continue on with another personal project, this time operating under his own name.
“The EP took forever because I did it in spits and spurts and finished recording the whole thing over a year ago and bashed it altogether. There is no pre-production, just a lot of tweaking and it came together and then I have to save some coin to release it, it takes a long time but is a real challenge and has been fun.”

The debut single from the self-titled album, Follow The Sun, certainly catches your attention with a mix of heavy riffs, solid lyrics and eerie melodies, something Strachan says got the thumbs up from his producer and good friend Woody Annison.
“That riff came along and I thought that is good and put it aside and Woody and I worked on the riff and it just sounded so heavy.
“My mind went into this negative thought process and thought about suicide and people jumping off bridges.
“I thought I did not want to be singing about that and put it on the back burner and a few months later I put a positive spin on it about getting out of bed every morning and getting on with it.
“When you are writing songs there are not fifty thousand options – there is just what sounds good to my ear and that cuts down the decision process a lot.”

Strachan is currently locking himself away in his ‘man room’ working out how he will play the tracks live. He notes that while The Living End is his main priority, his latest EP is about keeping the creative juices flowing in between recording and live performances.
“This is about keeping me occupied and I have a batch of 20-odd songs ready to go when I get the chance. I am a shit guitarist and occasionally I will wrap strings in dunny paper because I only want two strings working at a time. I have two guitars and there are a couple of super fast songs I have written and eventually want to record.”

Andy steps into The Pants Collective

Author: Tiffany Pilcher

BARWON Heads’ resident rock star Andy Strachan has released his first EP from his new project, The Pants Collective.

Strachan has been perched behind the drums with The Living End for the past 12 years and collaborated with bandmate Scott Owen and Ash Grunwald for Gargantua in 2013.

This is his first stint standing centre stage and he said it’s been an eye-opening experience.

“It’s so daunting: I’m still well and truly behind the drum kit: it’s my safety blanket.

“It’s that own-voice syndrome thing: you know when you hear yourself on voicemail or on a video and It makes you cringe? It’s exactly like that.

“I’m glad I’m doing it, It’s a new challenge and it’s fun, that’s what we all strive for in music.”

The collective includes producer Woody Annison and an assembly of Strachan’s friends who have dropped into his “man room” over the past eight years.

The result is an assortment of bluesy tunes influences ranging from reggae to his more familiar rockabilly stylings.

“It’s not really a traditional band, the process was very informal,” Strachan said.

“I like the idea that it’s a collective, even a car needs a driver and I guess that’s me, but really it’s a group of mates jamming and recording.

“The intention is for it to continue to grow, I’m not sure which direction it will grow in, but that’s the best part.”

Strachan said while nothing is scheduled yet, some local gigs are on the horizon.

The Pants Collective EP was recorded at Ocean Grove ‘s GreenMan studios and is available now on iTunes.

The Pants Collective

Author: Augustus Welby

The Pants Collective is the solo product from Living End drummer Andy Strachan. His first foray into band leading is an accessible listen, but it rarely seems interested in pushing the envelope. This debut EP hews closely to the attitude and aesthetic scope of The Living End, but it doesn’t necessarily sound like the output of Strachan’s day job.

The seven-track release begins with the cartoon-like garage blues of ‘Secrets’, before getting more debauched (and less effective) on chunky rocker ‘It’s Gonna Be Fine’. It gets more interesting when Strachan shifts into gears he’s less familiar with. ‘You’ll Never Know’ dons a hazy ’90s pop-rock visage, while two-faced EP closer ‘Hometown’ evolves from a neo-reggae experiment into a pub rock anthem. Strachan’s voice is by no means laughable, but it’s not a striking feature. Accordingly, nothing of lingering curiosity is said during the set’s 24-minute run time. Nevertheless, Strachan does show promise as a songwriter. These songs would surely benefit from someone with pronounced on-record character revving them up.

Similar to how films that don’t require particular patience or attention to detail are the most suitable for in-flight viewing, this is easy to digest, but it mightn’t have you raving to your friends at journey’s end.